Four studies shot on a Bolex 16mm — hand-cranked, no playback, no second chances.
Made at the School of the Art Institute of Chicago. Shooting on film means you commit before you know. There's no monitor to check, no take you can throw away for free — you frame it, you expose it, and you wait days to find out whether you were right.
Shot with my peers in Film 101 — everyone working the same camera, the same limits, figuring out what it could do. We screened it once. I don't even remember the event anymore, just that it happened.